Aankomende concerten
- Edward Elgar: The Dream of Gerontius - 21/02/2026 - 19:00 - 22:00 uur
Edward Elgar: The Dream of Gerontius
(Jasper Leever = Priester / Todesengel)
Akademischer Chor und
Akademisches Orchester der Universität Stuttgart
Leitung: UMD Jakob Brenner„This ist the best of me. I saw and knew: this, if anything of mine, is worth your memory.“ Diese Worte schrieb Edward Elgar hinter die Schlusstakte seiner Partitur von „The Dream of Gerontius“. Und er sollte Recht behalten. Er schuf ein Meisterwerk der romantischen Chorsinfonik geprägt von tiefer Religiosität und perfekter Dramaturgie. Auf der Grundlage des gleichnamigen Gedichts von John Henry Newman komponiert Elgar die Reise einer Seele nach dem Tod bis zur Begegnung mit Gott, eine musikalische Vision voller Hoffnung, Leidenschaft und ergreifender Schönheit. Während „The Dream of Gerontius“ in England längst zum festen Bestandteil des Konzertrepertoires gehört, wird es in Deutschland nur selten aufgeführt. Umso mehr ein Anlass, diese besondere Aufführung in der Liederhalle nicht zu verpassen.
Unter der Leitung von UMD Jakob Brenner bringen der Akademische Chor und das Akademische Orchester der Universität Stuttgart das Werk in hochkarätiger Besetzung zur Aufführung:
Kai Kluge (Tenor) als Gerontius,
Olivia Johnson (Mezzosopran) als Engel
Jasper Leever (Bass) als Priester und Todesengel.
- Datum 21.02.2026
- Uhrzeit 19:00 Uhr
- Saal / Raum Beethoven-Saal
- Veranstalter Akademischer Chor und Akademisches Orchester der Universität Stuttgart
- Kategorie Klassik/Kultur
Cinderella
by Gioachino Rossini
Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles
“I don’t believe in the right to work; I prefer to believe that the greatest right of man is to do nothing,“ said Rossini. Angelina, his Cinderella, is far from that – she performs slave labour in her bankrupt stepfather’s family. How a prince, for whom the bank account and an army of servants work, gets her out of this precarious situation is a world-famous fairy tale from Charles Perrault to Disney. Rossini tells the story of the power of honest feelings to survive without the well-known miraculous elements, but there is one great miracle: love at first sight. Not at the ball, but when the prince, as a servant, inspects the potential brides in advance. Surrounding this is the madness of exalted dreams of ascent and terrible scenarios of descent, which drives Rossini’s characters forward just as much as the insane energy of his music. The young mezzo-soprano Itzeli del Rosario, who is a member of the Stuttgart ensemble since this season, makes her debut in the title role of Cinderella.
Cast
Musikalische Leitung
Regie Andrea Moses
Bühne Susanne Gschwender
Kostüme Werner Pick
Licht Reinhard Traub
Dramaturgie Thomas Wieck, Moritz Lobeck
Chor Bernhard Moncado
Angelina Itzeli del Rosario
Clorinda Luiza Willert
Tisbe Maria Theresa Ullrich
Don Ramiro Alberto Robert
Dandini Johannes Kammler
Alidoro Jasper Leever
Staatsorchester Stuttgart, Herren des Staatsopernchores Stuttgart
Cinderella
by Gioachino Rossini
Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles
“I don’t believe in the right to work; I prefer to believe that the greatest right of man is to do nothing,“ said Rossini. Angelina, his Cinderella, is far from that – she performs slave labour in her bankrupt stepfather’s family. How a prince, for whom the bank account and an army of servants work, gets her out of this precarious situation is a world-famous fairy tale from Charles Perrault to Disney. Rossini tells the story of the power of honest feelings to survive without the well-known miraculous elements, but there is one great miracle: love at first sight. Not at the ball, but when the prince, as a servant, inspects the potential brides in advance. Surrounding this is the madness of exalted dreams of ascent and terrible scenarios of descent, which drives Rossini’s characters forward just as much as the insane energy of his music. The young mezzo-soprano Itzeli del Rosario, who is a member of the Stuttgart ensemble since this season, makes her debut in the title role of Cinderella.
Cast
Musikalische Leitung
Regie Andrea Moses
Bühne Susanne Gschwender
Kostüme Werner Pick
Licht Reinhard Traub
Dramaturgie Thomas Wieck, Moritz Lobeck
Chor Bernhard Moncado
Angelina Itzeli del Rosario
Clorinda Luiza Willert
Tisbe Maria Theresa Ullrich
Don Ramiro Alberto Robert
Dandini Johannes Kammler
Alidoro Jasper Leever
Staatsorchester Stuttgart, Herren des Staatsopernchores Stuttgart
Cinderella
by Gioachino Rossini
Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles
“I don’t believe in the right to work; I prefer to believe that the greatest right of man is to do nothing,“ said Rossini. Angelina, his Cinderella, is far from that – she performs slave labour in her bankrupt stepfather’s family. How a prince, for whom the bank account and an army of servants work, gets her out of this precarious situation is a world-famous fairy tale from Charles Perrault to Disney. Rossini tells the story of the power of honest feelings to survive without the well-known miraculous elements, but there is one great miracle: love at first sight. Not at the ball, but when the prince, as a servant, inspects the potential brides in advance. Surrounding this is the madness of exalted dreams of ascent and terrible scenarios of descent, which drives Rossini’s characters forward just as much as the insane energy of his music. The young mezzo-soprano Itzeli del Rosario, who is a member of the Stuttgart ensemble since this season, makes her debut in the title role of Cinderella.
Cast
Musikalische Leitung
Regie Andrea Moses
Bühne Susanne Gschwender
Kostüme Werner Pick
Licht Reinhard Traub
Dramaturgie Thomas Wieck, Moritz Lobeck
Chor Bernhard Moncado
Angelina Itzeli del Rosario
Clorinda Luiza Willert
Tisbe Maria Theresa Ullrich
Don Ramiro Alberto Robert
Dandini Johannes Kammler
Alidoro Jasper Leever
Staatsorchester Stuttgart, Herren des Staatsopernchores Stuttgart
Cinderella
by Gioachino Rossini
Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles
“I don’t believe in the right to work; I prefer to believe that the greatest right of man is to do nothing,“ said Rossini. Angelina, his Cinderella, is far from that – she performs slave labour in her bankrupt stepfather’s family. How a prince, for whom the bank account and an army of servants work, gets her out of this precarious situation is a world-famous fairy tale from Charles Perrault to Disney. Rossini tells the story of the power of honest feelings to survive without the well-known miraculous elements, but there is one great miracle: love at first sight. Not at the ball, but when the prince, as a servant, inspects the potential brides in advance. Surrounding this is the madness of exalted dreams of ascent and terrible scenarios of descent, which drives Rossini’s characters forward just as much as the insane energy of his music. The young mezzo-soprano Itzeli del Rosario, who is a member of the Stuttgart ensemble since this season, makes her debut in the title role of Cinderella.
Cast
Musikalische Leitung
Regie Andrea Moses
Bühne Susanne Gschwender
Kostüme Werner Pick
Licht Reinhard Traub
Dramaturgie Thomas Wieck, Moritz Lobeck
Chor Bernhard Moncado
Angelina Itzeli del Rosario
Clorinda Luiza Willert
Tisbe Maria Theresa Ullrich
Don Ramiro Alberto Robert
Dandini Johannes Kammler
Alidoro Jasper Leever
Staatsorchester Stuttgart, Herren des Staatsopernchores Stuttgart
Cinderella
by Gioachino Rossini
Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles
“I don’t believe in the right to work; I prefer to believe that the greatest right of man is to do nothing,“ said Rossini. Angelina, his Cinderella, is far from that – she performs slave labour in her bankrupt stepfather’s family. How a prince, for whom the bank account and an army of servants work, gets her out of this precarious situation is a world-famous fairy tale from Charles Perrault to Disney. Rossini tells the story of the power of honest feelings to survive without the well-known miraculous elements, but there is one great miracle: love at first sight. Not at the ball, but when the prince, as a servant, inspects the potential brides in advance. Surrounding this is the madness of exalted dreams of ascent and terrible scenarios of descent, which drives Rossini’s characters forward just as much as the insane energy of his music. The young mezzo-soprano Itzeli del Rosario, who is a member of the Stuttgart ensemble since this season, makes her debut in the title role of Cinderella.
Cast
Musikalische Leitung
Regie Andrea Moses
Bühne Susanne Gschwender
Kostüme Werner Pick
Licht Reinhard Traub
Dramaturgie Thomas Wieck, Moritz Lobeck
Chor Bernhard Moncado
Angelina Itzeli del Rosario
Clorinda Luiza Willert
Tisbe Maria Theresa Ullrich
Don Ramiro Alberto Robert
Dandini Johannes Kammler
Alidoro Jasper Leever
Staatsorchester Stuttgart, Herren des Staatsopernchores Stuttgart
Cinderella
by Gioachino Rossini
Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles
“I don’t believe in the right to work; I prefer to believe that the greatest right of man is to do nothing,“ said Rossini. Angelina, his Cinderella, is far from that – she performs slave labour in her bankrupt stepfather’s family. How a prince, for whom the bank account and an army of servants work, gets her out of this precarious situation is a world-famous fairy tale from Charles Perrault to Disney. Rossini tells the story of the power of honest feelings to survive without the well-known miraculous elements, but there is one great miracle: love at first sight. Not at the ball, but when the prince, as a servant, inspects the potential brides in advance. Surrounding this is the madness of exalted dreams of ascent and terrible scenarios of descent, which drives Rossini’s characters forward just as much as the insane energy of his music. The young mezzo-soprano Itzeli del Rosario, who is a member of the Stuttgart ensemble since this season, makes her debut in the title role of Cinderella.
Cast
Musikalische Leitung
Regie Andrea Moses
Bühne Susanne Gschwender
Kostüme Werner Pick
Licht Reinhard Traub
Dramaturgie Thomas Wieck, Moritz Lobeck
Chor Bernhard Moncado
Angelina Itzeli del Rosario
Clorinda Luiza Willert
Tisbe Maria Theresa Ullrich
Don Ramiro Alberto Robert
Dandini Johannes Kammler
Alidoro Jasper Leever
Staatsorchester Stuttgart, Herren des Staatsopernchores Stuttgart
Cinderella
by Gioachino Rossini
Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles
“I don’t believe in the right to work; I prefer to believe that the greatest right of man is to do nothing,“ said Rossini. Angelina, his Cinderella, is far from that – she performs slave labour in her bankrupt stepfather’s family. How a prince, for whom the bank account and an army of servants work, gets her out of this precarious situation is a world-famous fairy tale from Charles Perrault to Disney. Rossini tells the story of the power of honest feelings to survive without the well-known miraculous elements, but there is one great miracle: love at first sight. Not at the ball, but when the prince, as a servant, inspects the potential brides in advance. Surrounding this is the madness of exalted dreams of ascent and terrible scenarios of descent, which drives Rossini’s characters forward just as much as the insane energy of his music. The young mezzo-soprano Itzeli del Rosario, who is a member of the Stuttgart ensemble since this season, makes her debut in the title role of Cinderella.
Cast
Musikalische Leitung
Regie Andrea Moses
Bühne Susanne Gschwender
Kostüme Werner Pick
Licht Reinhard Traub
Dramaturgie Thomas Wieck, Moritz Lobeck
Chor Bernhard Moncado
Angelina Itzeli del Rosario
Clorinda Luiza Willert
Tisbe Maria Theresa Ullrich
Don Ramiro Alberto Robert
Dandini Johannes Kammler
Alidoro Jasper Leever
Staatsorchester Stuttgart, Herren des Staatsopernchores Stuttgart
Cinderella
by Gioachino Rossini
Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles
“I don’t believe in the right to work; I prefer to believe that the greatest right of man is to do nothing,“ said Rossini. Angelina, his Cinderella, is far from that – she performs slave labour in her bankrupt stepfather’s family. How a prince, for whom the bank account and an army of servants work, gets her out of this precarious situation is a world-famous fairy tale from Charles Perrault to Disney. Rossini tells the story of the power of honest feelings to survive without the well-known miraculous elements, but there is one great miracle: love at first sight. Not at the ball, but when the prince, as a servant, inspects the potential brides in advance. Surrounding this is the madness of exalted dreams of ascent and terrible scenarios of descent, which drives Rossini’s characters forward just as much as the insane energy of his music. The young mezzo-soprano Itzeli del Rosario, who is a member of the Stuttgart ensemble since this season, makes her debut in the title role of Cinderella.
Cast
Musikalische Leitung
Regie Andrea Moses
Bühne Susanne Gschwender
Kostüme Werner Pick
Licht Reinhard Traub
Dramaturgie Thomas Wieck, Moritz Lobeck
Chor Bernhard Moncado
Angelina Itzeli del Rosario
Clorinda Luiza Willert
Tisbe Maria Theresa Ullrich
Don Ramiro Alberto Robert
Dandini Johannes Kammler
Alidoro Jasper Leever
Staatsorchester Stuttgart, Herren des Staatsopernchores Stuttgart